Board of Directors

Dr Jane Ali-Knight 

Professor in Festival and Event Management at Edinburgh Napier University, Scotland and Visiting Professor at Curtin University, Australia

Jane is leading and developing the festival and event subject area, lecturing at Universities internationally and facilitating professional training and development. Her core activities fall into three areas: event and festival-related programmes; research and publications and conferences and professional events. She is a board Director of BAFA (British Arts and Festivals Association) a Fellow of the Higher Education Academy and Royal Society of the Arts and is also an experienced practitioner working on and delivering festivals and events, both in the UK and overseas.

Angie Bual

Producer and Artistic Director of Trigger, an independent producing house and has produced for organisations including Fuel, National Theatre of Scotland, Edinburgh Art Festival and the Science Museum.

Angie is the winner of the Creative Producer Arts Foundation Award. She has initiated and run several cross-artform and sector projects. She is Interim Chair for Mayk in Bristol and is a Director of the London Area Council of Arts Council England. Angie is a Clore Fellow (Theatre) and is resident at the PM Studio in Bristol.

Josephine Burns 

Independent Chair of Without Walls and Founder of BOP Consulting 

Working closely with XTRAX, she was appointed by and is accountable to the directors of the company. Over this time, Without Walls has grown significantly in reputation, reach, ambition and activity.

Josephine is a highly experienced consultant, specialising in arts, culture and the creative economy with over 40 years’ experience. After leaving the Arts Council in 1991, she established BOP Consulting in 1997 with Paul Owens. At BOP, Jo led on a wide range of projects including the Edinburgh Festivals Impact report and work with companies such as Glasgow Citizens Theatre, LIFT, Streetwise Opera and the review of the talent development programme funded by the Esmee Fairbairn Foundation.

 

Andrew Comben

Chief Executive of Brighton Dome & Brighton Festival

Andrew began his UK career at Wigmore Hall in 1994, moving to Artist Manager for the Young Concert Artists Trust and Music International. He then became Director of the Britten-Pears Young Artist Programme, returning to Wigmore Hall as Head of Artistic Planning in 2003. Andrew joined Brighton Dome & Brighton Festival as Chief Executive in 2008, establishing the Guest Director model for Brighton Festival (with artists such as Anish Kapoor, Laurie Anderson, Kate Tempest and David Shrigley) and developing a new vision for the organisation as a year-round centre of artistic activity. The Brighton Dome Corn Exchange and Studio Theatre are currently undergoing a £21m major redevelopment.

Mark Denbigh,

Head of Production & Programme for Norfolk & Norwich Festival

Norfolk & Norwich Festival is the East of England’s flagship annual arts festival. Each year the festival commissions and produces new work across a spectrum of artists and practices, as well as presenting the best in theatre, performance, dance, classical and contemporary music, circus, cabaret, literature and outdoor work for an audience of 80,000 people.  NNF is also a member of IN SITU, a Creative Europe funded network for the creation and promotion of art in public space. Mark is on the IN SITU Steering Committee and is also working with FAI-AR who are creating a MOOC on art in public space, which is due to go live in 2019. Mark has worked for more than 10 years in festival production for organisations including BBC, Royal Opera House, Wildworks, SeaChange Arts and LeftCoast.

Lew Hodges

Chartered Accountant

Lew is an experienced trustee and senior manager, a qualified Chartered Accountant with a strong track record in governance, human resources and financial management.

After graduating in Classics, he later gained an MBA from the London Business School, and a Coaching Diploma from AoEC

After brief spells at the Roundhouse and Cooney March Theatres, he qualified as a chartered accountant (now FCA) before moving to the Arts Council.. His subsequent career has focused on charities and not for profit organisations, and has included Finance Director/Chief Operating Officer roles at Arts Council England, the Sports Council, the National Theatre, London Arts, Arts & Business, the Leadership Foundation for Higher Education, and ACEVO. He was also a Founding Partner of the arts consultancy Counterculture.

He is now retired from employment, with a portfolio of non-executive trustee/governance roles in arts and higher education organisations. Current Board Memberships include the Guildhall School Trust, Protein Dance, and Wac Arts, and Lew has previously been a Board Member for GDIF, the National Youth Jazz Collective, English Touring Theatre, Artsadmin, LAMDA, and Space Studios. Aside from his arts work, Lew is an avid league table tennis player and acts as Chair of Wickham Park Table Tennis Club.

Richard Holt

Head of Global Cities Research for Oxford Economics

Oxford Economics an international economic consultancy, and is a specialist in understanding what makes some places more successful than others, and how policy can help to improve people’s lives and opportunities. He has a particular interest in the creative and cultural sectors, and in local economic development generally. He has helped various city and borough councils in the UK to develop strategies and advises the real estate sector in particular on the prospects for cities across the world. Formerly, Richard has worked as an economist for a range of organisations, including in London and New York. For several years he was a non-executive director of creative industries specialists BOP Consulting, as well as a Visiting Research Fellow for the UK Commission on Employment and Skills.

Joe Mackintosh

Chief Executive for SeaChange Arts and Artistic Director of the Out Theatre International Festival of Circus and Street Arts

Joe Mackintosh has been the director of SeaChange Arts for 14 years. Joe took over the organisation at an embryonic stage and has developed a highly skilled team, clear mission and strong track record for working across partnerships at a national and international level, presenting work of exceptional quality and significance while remaining true to the purpose of local transformation. Now an Arts Council England National Portfolio Organisation, SeaChange is recognised as one of the UK’s most dynamic organisations in the fields of Outdoor Arts, Contemporary Circus and European Collaboration. The organisation functions as a gateway to/from Europe and supports creativity through its centre at the Drill House (which underwent a £1.5m capital transformation in 2016).

Anthony Missen

Co-Founder of Company Chameleon

Anthony is a Clore Fellow, member of the Greater Manchester Culture Steering Group, founding Director of New Movement Collective and Co-Founder of Company Chameleon. He received formal training at the Northern School of Contemporary Dance and went onto dance with companies including Scottish Dance Theatre, Mad Dogs Dance Theatre, Cie. Willi Dorner (Vienna), and choreographers including Rui Horta, Didi Veldman and Liv Lorent.

Anthony has taught in most major British contemporary dance institutions, to several professional dance companies and in many countries including South Africa, Ethiopia, Israel, Trinidad, Morocco, Sweden, Spain, France, Italy, Germany and Austria. He has led many Choreographic and skills-based Residencies. Anthony is a founding Director of New Movement Collective. He co-founded Company Chameleon in 2007, producing and choreographing critically acclaimed performance works both for the stage and outdoor contexts. He has developed many successful educational programmes in different countries, with a particular focus on young men, disadvantaged children and children at risk. Anthony has made touring works for La Mov (Spain), Norrdans (Sweden) and most recently Ballett-Theater Chemnitz (Germany).

Gemma Thomas

Appetite Director and Special Projects Producer at the New Vic Theatre

Appetite is Stoke-on-Trent’s Creative People and Places programme funded by Arts Council England, and Gemma has been the programme’s Creative Producer since 2012. As Special Projects Producer for the New Vic, Gemma developed and is currently delivering an Ambition for Excellence-funded project, Circus Past, Present and Future, a celebration of Philip Astley in his Newcastle-under-Lyme birthplace, with many partners locally, nationally and internationally.

Gemma has worked on multi-artform projects for over 10 years in non-traditional arts venues including parks, shops, town centre streets, disused factories, train stations, canals and many more. Other organisations she has worked with include DanceXchange, International Dance Festival Birmingham, Royal Shakespeare Company, Audiences Central and Fierce Festival.

Ivan Wadeson 

Executive Director of Manchester City of Literature

Ivan has over 20 years’ experience at a senior level in the cultural sector, working across many art forms on strategy, vision, business planning, organisational development and audience engagement. Ivan is currently the Executive Director of Manchester City of Literature, leading on maximising the benefit of the UNESCO designation for writers, publishers, residents and stakeholder organisations in Manchester through local and international partnerships.

Until October 2019 he was Partnerships Director at Dance Consortia North West, working with venues, dance agencies, universities, dance companies and independent artists on programmes to develop a flourishing dance ecology across the region. Ivan also draws on the experience of working for the Royal Exchange Theatre, Arts about Manchester, All About Audiences and The Dukes in Lancaster, and of driving the formation of national charity The Audience Agency in 2012. Ivan is a Trustee of cultural education charity Curious Minds, a Governor at Essa Academy in Great Lever, Bolton and a Fellow of the RSA.

Caron Wint

Investment Team Administrator for Big Social Capital

Caron is passionate about the work of not-for-profit, charities and social enterprises and works at Big Society Capital, the UK’s leading social impact investor. Caron manages the customer due diligence onboarding process for investments and organises the social investment sector bi-annual training programme.

Caron has worked in private equity investment firms, legal sector (Legal Services Society in Vancouver, Canada), higher education (Pearson, Goldsmith University, Queen Mary University in London and Emily Carr Art & Design University in Vancouver, Canada). For several years she was also a non-executive director of a Manchester-based arts organisation specialising in open-air and indoor, immersive, site-specific theatre productions. Other roles Caron has held include Decibel Officer (Decibel was an initiative to raise the profile and support culturally diverse arts and artists in England through a programme of activities and annual showcases), for Arts Council England, Northwest; Project Manager for Manchester International Arts specialists in large-scale outdoor festivals and spectacular events. She also had a career as an actor, in theatre and film, as well as producing theatre showcases.